My approach to abstract photography is shaped by six visual principles that I often return to: form, contrast, rhythm, simplicity, repetition, and tension.

Abstract photography isn’t about what you see, but how you choose to see. For me, it’s a space where intuition, structure, and perception come together without relying on a traditional subject. While I often work with recognizable shapes, such as shadows, surfaces, or patterns, the aim is not to describe those things. It’s to isolate what makes them visually compelling and let the composition take over.

Some of the photographs in this gallery were made in an instant, guided by instinct. Others were the result of careful attention, framing something ordinary in a way that emphasized its geometry or tension. What makes them abstract is not the absence of subject, but the shift in focus: from object to structure, from meaning to form. Instead of telling a story, these images explore visual logic.

This collection brings together photographs that speak through contrast, scale, and composition. Some are built around clean, precise arrangements. Others are more fluid, textured, or asymmetrical. In certain images, the source is almost unrecognizable. In others, the original object is still apparent, but transformed by angle, framing, or repetition. What unites these works is not their subject, but the clarity of intention behind the framing.

Abstract photography offers a kind of creative freedom. There is no need to explain or describe. The image stands on its own, guided by balance, spatial tension, or visual rhythm. And paradoxically, this can allow for a more open response. Without a straightforward narrative or context, the viewer is invited to interpret the image on their own terms.

For me, abstract photography is deeply connected to the act of paying attention. These images often begin with something seen in passing: a pattern of holes in a wall, the blades of a straw umbrella, the repetition of traffic signs, or the curled edge of a folded material. These are everyday things. However, under certain lighting conditions or from a specific angle, they reveal unexpected visual structures.

In post-production, I don’t follow a fixed set of rules. Some images need only subtle adjustments in contrast, tone, or structure. Others call for more radical interventions, such as pushed saturation, selective toning, or even experimental effects like solarization. What matters is that the editing feels intentional and visually consistent with the image’s direction. I don’t try to make things look real if they weren’t meant to. Whether the result is clean or stylized, the goal is always clarity of composition and visual impact.

This gallery is not about abstraction for its own sake. It is about looking closely. The works here are not unified by theme or place, but by a way of seeing that values form, contrast, and the unexpected. Whether geometric, minimal, or organic, each image shares a commitment to observation. That is what defines this approach to abstract photography. It is not about what is captured. It is about how the image emerges through the act of seeing.