FINE ART

Fine art photography is the part of my work where I follow ideas rather than assignments. I use both a traditional camera and drones to explore how light and structure can carry emotion, in landscapes, cities, and more intimate scenes.

Some photographs stand on their own, others occasionally grow into a small series. I am less interested in fixed categories and more in how an image feels and how it is built. A coastline, an architectural fragment, a figure, or a composite image can all belong here if they reflect that same way of seeing.

Most of these works are conceived as prints. I pay attention to how tones, detail, and contrast will appear on paper, and how a selection of images can live together in a room. Editions are limited, and each print is produced with the care of an individual piece.

If you are looking for artwork for a private home, an office, or a public space, this gallery presents a selection of my fine art photographs available as prints. For information about sizes, editions, or commissioned projects, feel free to get in touch.

Fine Art Prints AVAILABLE FOR SALE
Black and white photo of a surfer getting out from the ocean and walking on the beach
Aerial view of Rheinau Monastery on the Rhine River in Switzerland, surrounded by forests, fields, and water reflections. Landscape Photography. Luftaufnahme des Klosters Rheinau am Rhein in der Schweiz, umgeben von Wäldern, Feldern und Spiegelungen im Wasser. Landschaft Fotografie.
Golden Passage by Alan Philip Muller – landscape photography with warm golden tones and a natural sandbar leading to Île d’Ogoz
Alan Phlip Muller - Fine Art photography - Fine-Art-Fotografie - Dramatic sunset sky with sunbeams piercing through clouds and silhouetted trees
Landscape photography taken near the Riburg saltworks in Switzerland, showing a tranquil rural scene at dusk with golden fields, scattered trees, and two dark wooden towers silhouetted against the soft evening haze.
FINE ART PROJECT
WIR=BASEL - WE=BASEL
WE = BASEL is an ongoing portrait project about people who live in Basel and how they are tied to the city. For each participant, I begin with a conversation in which they choose one place or symbol of Basel that is especially important to them and that can be photographed.

I then create three photographs: a portrait of the face, a photograph of the hands held in a specific way, and a photograph of the chosen place or symbol. During post‑production I decide whether to work with the face or with the hands, and combine that image with the place or symbol, so that the person and their Basel overlap in a single picture.

Each finished piece is printed on handmade paper produced by the Basler Papiermühle in Basel, prepared with a primer that allows inkjet printing on this traditional surface. The project is built around one simple line: a person from Basel, a place in Basel, and a print made on paper from Basel.